The Armchair Outfitter

The Armchair Outfitter header image 1

Get a Load On

August 22nd, 2011 · 7 Comments

Casting distance is far less important than accuracy in most forms of fishing, but in this respect surfcasting is not like most forms of fishing.  It’s a big ocean, and all things considered the farther you can heave your offering, the more and bigger the fish that will see it.  When it comes to your rod, size matters.  There’s no way to say it that sounds less suggestive.  My surf spinning rod is a 15-foot Diawa, and I’ve heard every rod joke you can imagine.  I’ve also gotten several questions along the lines of, “What are you going to catch with that thing, Jaws?”  The uninitiated observer doesn’t understand it’s the size of the weight and the distance sought, not the quarry, that dictates the out-sized equipment.  The rod is a lever, and with a long enough lever and a place to stand, one could move the world.

In order to launch the bait, you have to “load” the rod.  Fly fishers will recognize load immediately as the appropriate fancy-pants way of saying ya’ gotta’ put a bend in it.  The one-armed wrist flick you use with bass gear is just not an option with a rod longer than most vehicles.  You can Google the terms “pendulum cast” and “off the ground cast” or “off the beach cast” for some good videos explaining the mechanics, but here’s my basic technique in a series of photos.

I begin with my back  to the surf and a good length of line lying on the sand.  Half to two-thirds of the rod length is about right, although at first this feels extremely awkward.  You want that rod moving and dragging the weight along for a good distance to induce the required flex.

Note that my right hand is close to my body and my left had is kicked out as far on the rod butt as I can get it.  In turning to face the surf, I have swept the rod around in an arc and lifted the bait off the beach.  It’s already moving along and the rod is beginning to load.

As the rod comes up and around, I step into the cast and use a push-pull motion with my hands.  The left had comes back sharply while I drive forward with the right.  If all goes according to plan, the end result is a 4 oz. pyramid sinker and a live shrimp on a circle hook headed for Mexico.  The force you can generate with a cast like this is amazing.  More than once I’ve had a cast spoiled by the line slipping out from under my fingers too soon with spinning gear even though I use two fingers and grip the line for all I’m worth.  I have not tried it, but I understand some folks use a golf glove to prevent line burns.

The timing takes a while to master, but the cast doesn’t require nearly the speed one might think to achieve distance.  You must feel the weight all the way through the cast.  Any hitch in the cast which allows the weight to catch up with the rod or get ahead of it will unload the rod and induce vibration that will destroy the cast.  Give it a whirl and you might surprise yourself as half the spool plays out into the breeze.

→ 7 CommentsTags: Surfcasting

Words of Wisdom: 6/29/11

June 29th, 2011 · 8 Comments

“It’s my belief that history is a wheel. ‘Inconstancy is my very essence,’ says the wheel. ‘Rise up on my spokes if you like but don’t complain when you’re cast back down into the depths.’Good times pass away, but then so do the bad. Mutability is our tragedy, but it’s also our hope. The worst of times, like the best, are always passing away.”  – Boethius, “Consolation of Philosophy”

→ 8 CommentsTags: Words of Wisdom

Man-Eaters of Chicago

June 16th, 2011 · 4 Comments

maneaters-2.jpg

The last thing I expected on a business trip to Chicago was to see anything related to big game hunting.  Imagine my surprise when I stumbled upon the dreaded Man-Eaters of Tsavo at the Field Museum of Natural History.  These are the lions immortalized in the 1907 novel of the same name by Lt. Col. J.H. Patterson and later depicted in the movie adaptation, The Ghost and the Darkness.  The 1996 film with Val Kilmer and Michael Douglas is not the only film version of Patterson’s story.  Bwana Devil is considered the first American color feature shot in 3-D.  Starring Robert Stack and Barbara Britton, the 1952 movie promised:  “A LION in your lap! A LOVER in your arms!”

The most striking difference between the real-life lions and the cinematic versions is their lack of manes.  Apparently due to the extreme heat in Tsavo, lions there are often maneless.  The hides were trimmed down for display as trophy rugs, so the live specimens were even larger than they are as displayed at the Field Museum.  Nonetheless, taxidermist Julius Friesser did an excellent job restoring the skins and patching bullet holes considering the quarter-century or so the lions spent as carpeting.  Patterson sold the hides and skulls to the museum in 1924 for the considerable sum of $5,000.

→ 4 CommentsTags: Dangerous Game Hunting